Friday, March 13, 2009

Week 3/9 Powerpoints/Catcher in the Rye

Keep working on powerpoints!! Presentation of powerpoints on Tuesday workshop.

With your team, work on Catcher in the Rye.

Thursday, March 5, 2009

Powerpoint Poetry Projects

(from Teachers Network, Andrea Menotti)
HOW IT WORKS:
PowerPoint Poems is a way for students to play with poetry and learn multi-media design at the same time. The students select a poem of their own or a favorite published poem, and they make it into a dancing, singing work of art as a PowerPoint slide show. They use images, colors, sounds, and creatively positioned and choreographed text to create their displays. In doing this, they study a poem in depth, determine its meaning, and work towards conveying and enhancing that meaning with their design choices. This program has two instructional purposes. First, as a computer technology project, it teaches the use of multimedia design to convey meaning. Secondly, as a language arts project, it engages students in creative response to poetry. In choosing how a poem is displayed, the student demonstrates his/her understanding of its meaning, and contributes to the expression of this meaning with his or her own ideas. The students are also engaged in reflection and critique. They are asked during sharing sessions to explain certain design decisions. They then discuss and defend their choices. They gain a greater appreciation of poetry, a greater understanding of design principles, and more comfort and skills with computers. This also teaches them a program that they can later use for another class project (i.e., presenting a research project or report)

1. Select a poem from the web site Poetry 180. This will be the poem you will interpret by another poet.

2. A second powerpoint will be your own interpretation of one of your own poems.

3. Be sure to add notes to the powerpoint slides. This will help us appreciate
your rationale for design and interpretation.

4. When you finish one of the projects, save it in the Writing for Publication folder.

Catcher in the Rye Questions

Catcher in the Rye Study Guide Questions
Chapter 1
1. What does Holden mean when he says that his brother D.B. is out in Hollywood "being a prostitute"?
2. Where is Holden as the story begins?
3. Where and what is Pencey Prep?
4. How did Holden let the fencing team down?
5. Why was Holden being kicked out of Pencey Prep?
6. What kind of health does Holden appear to be in?
Chapter 2
1. Who is Mr. Spencer and why does Holden visit him?
2. What did Spencer do that particularly annoyed Holden?
3. What does Holden give us as the reason for "leaving" Elkton Hills?
Chapter 3
1. What does Holden mean, "I'm quite illiterate, but I read a lot"? Give examples of what he reads.
2. Who is Ackley? Describe him.
3. What does Ackley do that annoys Holden?
Chapter 4
1. Who is Stradlater? Why does Holden refer to him as a "secret slob"? What does he look like?
2. What point does Holden try to make about people when he talks about Stradlater and the "commas" and
Ackley's description of the basketball player?
3. Why did it make Holden nervous that Stradlater was going out with Jane Gallagher?
Chapter 5
1. Who is Allie, and why is his baseball mitt so special to Holden?
2. Why did Holden's parents want to have him psychoanalyzed?
Chapter 6
1. What do Holden and Stradlater fight over?
2. Holden says that he is a "pacifist". What is that, and is he?
Chapter 7
1. Why does Holden suddenly decide to visit Ackley's room?
2. Where does Holden then decide to go?
3. What is his final good-bye to Pencey Prep?
4. Why do you think Holden was crying as he left?
Chapter 8
1. What does Holden mean when he says, "Mothers are all slightly insane"?
2. What are some of the lies Holden tells Mrs. Morrow? Do you think he's as sorry for them as he stated?
Chapter 9
1. Holden calls other people phony. In what way is he one?
Chapter 10
1. Who is Phoebe, and what is Holden's opinion of her?
2. What evidence is there that shows us that Holden probably doesn't look as old as he says he looks?
Chapter 11
1. What was the past relationship like between Holden and Jane?
Chapter 12
1. What do Holden and the cab driver talk about?
2. Why does Holden leave Ernie's?
Chapter 13
1. Previously Holden stated he was a "pacifist". Does his description of how he would deal with the "glove thief" support
this, or is he just "yellow"?
Chapter 14
1. Does Holden have any guilt feelings about Allie? Do you feel this is abnormal in any way, or normal?
2. What made Holden cry?
3. What evidence shows us that Holden might have made a good actor?
Chapter 15
1. What is the point that Holden tries to make about people when he elaborates about the suitcases of the nuns and of
his former roommate?
2. How does Holden treat the nuns?
3. Why does Holden think it spoils a conversation if someone asks what religion he is?
Chapter 16
1. Who does Holden make a date with? Why does he call her up if he thinks she's a phony?
2. How does Holden treat little kids? Give an example.
3. Does Holden know his way around the city? What does this tell us about him?
Chapter 17
1. How do Holden's feelings for women compare to his feelings for men?
2. How does Holden feel about actors? How does he feel about The Lunts?
3. What is Holden's point about the difference between men owning a car and men owning a horse?
4. How does Holden describe a boy's school when talking to Sally?
5. Why does Holden want to take off with Sally now instead of after college? What’s the difference in his eyes?
Chapter 18
1. What is Holden's opinion of the Christmas show at Radio City?
2. Why did Holden think the woman who cried through the movie was a phony?
Chapter 19
1. Why did Holden get mad at Luce for calling his (Luce's) old girlfriend the "Whore of New Hampshire"?
2. Who was Luce to Holden?
Chapter 20
1. How does Holden "act" again in this chapter?
2. What happens to Holden at the Wicker Bar?
3. What happens to Phoebe's record?
4. Where does Holden go right after he leaves the bar?
5. What information does Holden finally tell us about Allie's funeral?
6. What does Holden say about Allie that contradicts all his other statements about being an atheist?
7. After he leaves the park, where does Holden go?
Chapter 21
1. What does Holden find so intriguing about Phoebe's note- book?
Chapter 22
1. Why did it depress Holden when an "old guy" told him that his days at Pencey were the happiest days of his life?
2. What does it tell us about Holden when Phoebe states, "You don't like anything that's happening"?
3. Why does Holden think about James Castle when Phoebe asks him to name one thing that he likes a lot? Why does
he deny really knowing James? What does it tell us about Holden when he says, "Just because somebody's dead, you
don't just stop liking them, for God's sake---especially if they were a thousand times nicer than the people you know
that’re alive and all"?
4. What does Holden tell Phoebe he'd like to be?
Chapter 23
1. Who is Mr. Antolini?
2. How does Phoebe cover for Holden when their parents come home?
3. In talking with her parents how does Phoebe "sound" like Holden?
4. What does Phoebe do that makes Holden cry?
5. What does Holden give to Phoebe?
Chapter 24
1. Why did Holden fail his speech class?
2. How does Holden feel physically while he talks to Mr. Antolini?
3. What does Holden say about him hating people, such as Ackley and Stradlater?
4. What does Antolini's quote mean, "The mark of the immature man is that he wants to die nobly for a cause, while the
mark of the mature man is that he wants to live humbly for one"?
5. How does Antolini upset and scare Holden?
Chapter 24
1. Later, after he has had time to think about it, what does Holden think about Antolini?
2. Why does the article on hormones upset Holden?
3. What strange feeling does Holden start to have when he steps off of curbs?
4. Why does he keep repeating, "Allie, don't let me disappear"?
5. What does Holden decide he must do next? Where does he first go?
6. With all the bad language that Holden uses, why was he so upset that curse words were written on a school wall?
7. How does Holden treat the two small boys in the museum?
8. Why is it so important to Holden that Phoebe not be mad at him? Relate this to his past, and Allie.
9. What does Holden mean when he states, "The thing with kids is, if they want to grab for the gold ring, you have to let
them do it, and not say anything. If they fall off, they fall off, but it's bad if you say anything to them"?
10. What is the carrousel symbolic of?
Chapter 25
1. At the conclusion, where is Holden?
2. What was the past relationship like between Holden and Jane?
Chapter 26
1. What does Holden mean when he says, “Don’t ever tell anybody anything. If you do, you start missing everybody.”?

Monday, February 23, 2009

Crumby Place

July 15, 1951
Aw, the World's a Crumby Place
By JAMES STERN

This girl Helga, she kills me. She reads just about everything I bring into the house, and a lot of crumby stuff besides. She's crazy about kids. I mean stories about kids.
But Hel, she says there's hardly a writer alive can write about children. Only these English guys Richard Hughes and Walter de la Mare, she says. The rest is all corny. It depresses her. That's another thing. She can sniff a corny guy or a phony book quick as a dog smells a rat. This phoniness, it gives old Hel a pain if you want to know the truth. That's why she came hollering to me one day, her hair falling over her face and all, and said I had to read some damn story in The New Yorker. Who's the author? I said. Salinger, She told me, J. D. Salinger. Who's he? I asked. How should I know, she said, just you read it.


Then Hel asked what this Holden's father was like, so I told her if she wanted to
know the truth Holden didn't want to go into all that David Copperfield-kind of
business. It bored him and anyway his "parents would have [had] about two
hemorrhages apiece if [he] told anything personal about them." You see, this Holden,
I said, he just can't find anybody decent in the lousy world and he's in some sort of crumby Californian home full of psychiatrists.

That damn near killed Hel. Psychiatrists, she howled. That's right, I said, this one
psychiatrist guy keeps asking Holden if he's going to apply himself when he goes
back to school. (He's already been kicked out of about six.) And Holden, he says
how the hell does he know. "I I am," he says, "but how do I know. I swear it's
a stupid question."

That's the way it sounds to me, Hel said, and away she went with this crazy book.
"The Catcher in the Rye." What did I tell ya, she said next day. This Salinger, he's a
short story guy. And he knows how to write about kids. This book though, it's too
long. Gets kind of monotonous. And he should've cut out a lot about these jerks and
all at that crumby school. They depress me. They really do. Salinger, he's best with
real children. I mean young ones like old Phoebe, his kid sister. She's a personality.
Holden and little old Phoeb, Hel said, they kill me. This last part about her and
Holden and this Mr. Antolini, the only guy Holden ever thought he could trust, who
ever took any interest in him, and who turned out queer--that's terrific. I swear it is.

You needn't swear, Hel, I said. Know what? This Holden, he's just like you. He finds
the whole world's full of people say one thing and mean another and he doesn't like
it; and he hates movies and phony slobs and snobs and crumby books and war. Boy,
how he hates war. Just like you, Hel, I said. But old Hel, she was already reading
this crazy "Catcher" book all over again. That's always a good sign with Hel.

Mr. Stern is the author of "The Man Who Was Loved," a recent collection of short
stories.

Thursday, February 12, 2009

Catcher in the Rye

Read to Chapter 14 over the break

The Catcher in the Rye | Introduction



Although The Catcher in the Rye caused considerable controversy when it was first published in 1951, the book—the account of three disoriented days in the life of a troubled sixteen-year-old boy—was an instant hit. Within two weeks after its release, it was listed number one on The New York Times best-seller list, and it stayed there for thirty weeks. It remained immensely popular for many years, especially among teenagers and young adults, largely because of its fresh, brash style and anti-establishment attitudes—typical attributes of many people emerging from the physical and psychological turmoil of adolescence.

It also was the bane of many parents, who objected to the main character's obscene language, erratic behavior, and antisocial attitudes. Responding to the irate protests, numerous school and public libraries and bookstores removed the book from their shelves. Holden simply was not a good role model for the youth of the 1950s, in the view of many conservative adults. Said J.D. Salinger himself, in a rare published comment, "I'm aware that many of my friends will be saddened and shocked, or shock-saddened, over some of the chapters in The Catcher in the Rye. Some of my best friends are children. In fact, all my best friends are children. It's almost unbearable for me to realize that my book will be kept on a shelf out of their reach." The clamor over the book undoubtedly contributed to its popularity among the young: It became the forbidden fruit in the garden of literature. For some reason—perhaps because of the swirling controversies over his written works—Salinger retreated from the New York literary scene in the 1960s to a bucolic New Hampshire community called Cornish, where he has lived a very private life and avidly avoided the press. Despite the fact that he has granted few interviews, there is a substantial body of critical and biographical works about Salinger and his all-too-brief list of literary creations.

Tuesday, February 10, 2009

2/10 Write, write, write

Get Catcher in the Rye by J. D. Salinger


Work on Book report!!!!

Read

Friday, February 6, 2009

Writing Projects for Shadow Baby 2/6

The Book Report

1. You will be writing a book report about your book, but first you must create the book you will be writing about.

Step 1: Create a pseudonym for yourself. You are the author of the book.

Step 2: Write a brief plot summary describing the characters, setting and plot of your imagined book. You can fill in more details as you go, but think about an imaginary novel you would like to write (if you could).

Step 3: Write a book report about the book--essentially use your plot summary, descriptions of the characters and themes, a bit of background about the author, the genre the book belongs in (if appropriate) and whether or not you would recommend the book to others.

BE IMAGINATIVE AND CREATIVE!